Video Ads vs Display Ads: Which Should Advertisers Use?

Video Ads vs Display Ads: Which Should Advertisers Use?

Video Ads vs Display Ads: Which Should Advertisers Use?

Video and display are two of the most widely used formats in programmatic advertising, and they often get treated as interchangeable line items in a media plan. They aren’t. One tells a story in motion with sound; the other delivers a static or lightly animated visual in a fixed slot. Picking the wrong one for the goal wastes budget on production or reach that doesn’t convert.

This guide breaks down how video ads and display ads actually differ, how each is targeted and priced, and how to decide which format — or which combination — fits a given campaign.

Video Ads vs Display Ads: The Core Difference

Video ads deliver a moving, timed creative — typically 6 to 30 seconds — that plays before, during, or between content, or sits embedded in a feed. The message unfolds over time, using motion, sound, and pacing to build a story or demonstrate a product in a way a still image can’t.

Display ads are static or lightly animated visual ads — banners, rich media, interstitials — that sit in a fixed-size ad slot and deliver the full message in a single glance. There’s no timeline to sit through; the creative either lands instantly or it doesn’t.

That distinction — a message delivered over time versus a message delivered instantly — is what drives the differences in how each format is watched, targeted, and priced.

How Video Ads and Display Ads Actually Work

A DSP matches a video creative to available inventory — pre-roll or mid-roll slots on video content, out-stream placements inside articles, or rewarded slots in apps. Playback settings (sound-on vs sound-on-tap, skippable vs non-skippable) are controlled by the publisher’s player, so the same creative can behave differently depending on where it lands. See the full video ad format breakdown for how each placement type works.

A display campaign submits a fixed-size creative into standard ad slots defined by the publisher’s layout — leaderboard, sidebar, interstitial. The creative renders identically across every placement that supports that size, which makes display easy to scale across many sources at once. See how the display auction works for the full mechanics.

Side-by-side comparison of a video ad playing with a progress timeline versus a static display banner ad in a fixed ad slot

Video Ads vs Display Ads: Side-by-Side Comparison

FactorVideo AdsDisplay Ads
Message deliveryUnfolds over a timeline, with motion and soundDelivered instantly in a single frame
Common creative6-30 second clip, often multiple cut lengthsFixed-size banner or rich media unit
Typical bid modelCPV/CPCV-leaning, priced on views or completionsCPM-leaning, priced on impressions
Best suited forProduct demos, brand storytelling, emotional appealBroad reach, retargeting, fast creative rotation
Production effortHigher — scripting, filming or animation, editingLower — a static image or simple animated banner set
Key engagement signalCompletion rate, view-throughClick-through rate

Targeting: What Changes Between the Two Formats

The underlying targeting signals are the same for both formats — geo, device, source, audience segment, and time of day — because both run through the same DSP. What changes is how those signals interact with the creative and where it can run:

  • Inventory type matters more for video. Video needs a player to run in — in-stream, out-stream, or in-app — which narrows available inventory compared to display’s much wider pool of standard ad slots.
  • Frequency matters more for display. A static banner is easy to skim past repeatedly without annoyance building as fast; a video that replays too often gets noticed and tuned out sooner. Frequency capping is worth setting tighter on video.
  • Retargeting favors display. A recognizable banner reminds a past visitor of the brand quickly and cheaply; retargeting with video is possible but costs more per impression to re-serve.
  • Lookalike and audience targeting apply to both. Audience segments built from converters or engaged users work the same way regardless of which format the campaign runs.

Bidding and Cost: CPV/CPCV vs CPM

Video campaigns typically bid on cost-per-view (CPV) or cost-per-completed-view (CPCV), so the advertiser pays for genuine attention rather than a scroll-past impression. Display campaigns typically bid on cost-per-thousand-impressions (CPM), since the goal is often reach or repeated visibility rather than a sustained watch.

Neither model is fixed — a real-time bidding platform lets advertisers set the bid model that fits the goal, and video inventory can be bought on CPM when the objective is pure reach rather than view quality. But the default alignment reflects how each format is typically consumed: video for attention and story, display for volume and visibility.

PPCmate dashboard mockup comparing a video completion-rate trend for video ads and a CPM reach donut chart for display ads

How to Choose the Right Format for Your Campaign

  1. Start with the goal. Broad awareness and fast retargeting favor display; a product story or demo that needs time to land favors video.
  2. Check the creative budget. Video needs a script, footage or animation, and editing time; display can launch from a single static asset. Match the format to what’s actually available to produce.
  3. Look at the funnel stage. Top-of-funnel storytelling and consideration-building typically run better on video; retargeting and fast reach typically run better on display.
  4. Consider the inventory available. Confirm the traffic sources in the plan actually carry enough video-capable placements before committing a large video budget.
  5. Test both at a small budget first. Run a limited split test before shifting most of the spend to one format.
  6. Let completion and click data decide the mix. Once results come in, shift budget toward whichever format is converting better on the sources that matter most.

Signs You Should Run Both Formats Together

  • The campaign needs to build awareness with video and then retarget engaged viewers with display
  • The offer benefits from a demo or story but also needs broad, low-cost reach to fill the funnel
  • Budget is large enough to properly fund video production without starving the media spend on either format
  • The available traffic sources carry solid inventory for both video placements and standard display slots

Common Mistakes to Avoid

  • Repurposing a banner as a video slide with no motion. A static image dropped into a video slot with a countdown timer isn’t a video ad — it wastes the format’s strength and often reads as broken creative.
  • Judging video by display click-through benchmarks. Video’s core success metric is completion rate, not CTR; comparing the two formats on raw click volume alone misreads video performance.
  • Skipping frequency caps on video. Letting the same clip replay to the same viewer too often burns budget and increases skip rates.
  • Ignoring sound-off viewing. A large share of video plays happen with sound off by default; creative that depends entirely on audio to land the message loses that audience.
  • Not testing source-level performance separately per format. A source that delivers strong video completion rates may not deliver the same click performance on display, and vice versa.

Run Video and Display From One Platform

PPCmate’s self-serve DSP supports both video and display formats from the same dashboard, with shared targeting controls and format-level bid management. Explore the Video Ads and Display Ads product pages to see supported placements, targeting options, and how to launch a campaign in either format — or both.

FAQs

Neither is universally more effective — video tends to perform better for storytelling and product demos, while display tends to perform better for broad reach, fast testing, and retargeting.

Yes, both run on the same core targeting signals — geo, device, source, and audience — through the same DSP. The difference is which signals matter most and how much inventory is available for each format.

Cost depends on the bid model and the inventory being bought, not the format itself. Video often runs on CPV or CPCV and display on CPM, which makes a direct price comparison less useful than comparing cost per conversion.

Yes. Many DSPs, including PPCmate, let advertisers run both formats under shared targeting and budget controls, with separate bid settings for each.

Completion rate benchmarks vary by placement type and creative length, so it’s more useful to track a source’s completion rate against its own baseline over time than to chase a fixed industry number.

Display is generally better for retargeting, since a recognizable banner can re-serve cheaply and often, while video retargeting costs more per impression to reach the same audience again.

No. A large share of video plays start with sound off, so effective video creative should communicate the core message visually, with on-screen text or captions, rather than relying on audio alone.

If the goal is genuine attention on a video message, CPV or CPCV bidding lets you pay for actual views or completions. If the goal is broad visibility across a large audience, CPM bidding lets you control cost per impression instead.

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